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Samuel Gray Ward (1817–1907) was an American poet, author, and minor member of the Transcendentalism movement. He was also a banker and a co-founder of the Metropolitan Museum of Art. Among his circle of contemporaries were poets and writers such as Ralph Waldo Emerson and Margaret Fuller who were deeply disappointed when Ward gave up a career in writing for business just before he married. == Biography == Ward attended Harvard College and graduated along with Transcendentalist poet Jones Very, though the two were not friends.〔Dowling, David. ''Emerson's Protégés: Mentoring and Marketing Transcendentalism's Future''. Yale University Press, 2014: p. 136. ISBN 978-0-300-19744-0〕 As a student, he boarded for a time with Professor John Farrar and his wife Eliza Ware Farrar.〔Matteson, John. ''The Lives of Margaret Fuller: A Biography''. New York. W. W. Norton & Company, 2012: p. 97. ISBN 978-0-393-06805-4〕 He joined the Farrars on a trip to Europe in the summer of 1836, though he broke from them for private travels to England, Paris, and Rome, before rejoining them in the Swiss Alps by August 1837.〔Matteson, John. ''The Lives of Margaret Fuller: A Biography''. New York. W. W. Norton & Company, 2012: p. 130. ISBN 978-0-393-06805-4〕 Ward became associated with Ralph Waldo Emerson and began contributing to the Transcendentalist journal ''The Dial'', which published four of his poems in its inaugural issue.〔Wayne, Tiffany. ''Encyclopedia of Transcendentalism: The Essential Guide to the Lives and Works of Transcendentalist Writers''. New York: Facts on File, 2006: p. 308. ISBN 0-8160-5626-9〕 Emerson reflected on meeting him: "Beautiful among so many ordinary & mediocre youths as I see, was S. G. W. when I first fairly encountered him".〔Voelz, Johannes. ''Transcendental Resistance: The New Americanists and Emerson's Challenge''. Dartmouth College Press and University Press of New England, 2010: p. 278. ISBN 978-1-58465-936-5〕 Emerson particularly relied on Ward to inform him about art criticism; he wrote to Ward in 1838 that he was "especially curious of information on art & artists, of which however, I warn you, I know nothing."〔Emerson, Ralph Waldo. ''The Letters of Ralph Waldo Emerson''. Columbia University Press, 1990: vol. 7, p. 314. ISBN 0-231-06870-0〕 Emerson seemed particularly taken by the young man, writing to Ellery Channing in January 1840, "your friend Samuel G. Ward, whom though I have known but a little while I love much". A few months later, he told Ward, "I... wish you to love me".〔Crain, Caleb. ''American Sympathy: Men, Friendship, and Literature in the New Nation''. Yale University Press, 2001: p. 300. ISBN 0-300-08332-7〕 In 1840, Ward married Anna Hazard Barker, to the disappointment of their mutual friend Margaret Fuller. Barker's father hired Ward to work as a banker, which Fuller worried removed him from a more aesthetic life. Ward had chosen such a career out of concern for proving he could support his soon to be wife.〔 Fuller expressed her disappointment over Ward's decision in a letter to him, "I will confess, once and for all, I had longed to see you a painter... and not a merchant... when I learned you were to become a merchant, to sit at the dead wood of the desk, and calculate figures, I was betrayed into unbelief."〔Dowling, David. ''Emerson's Protégés: Mentoring and Marketing Transcendentalism's Future''. Yale University Press, 2014: p. 139. ISBN 978-0-300-19744-0〕 Emerson was equally disappointed and wrote to fellow Transcendentalist Caroline Sturgis that the news affected him "with a certain terror" and he concluded that "happiness is so vulgar".〔Voelz, Johannes. ''Transcendental Resistance: The New Americanists and Emerson's Challenge''. Dartmouth College Press and University Press of New England, 2010: p. 146. ISBN 978-1-58465-936-5〕 Though he chose to purse a career in business Ward continued to correspond with his friends in the Transcendentalist movement through the remainder of his life.〔 Ward and Barker eventually had four children: three daughters and a son.〔Dryfhout, John H. ''The Work of Augustus Saint-Gaudens''. Lebanon, NH: University Press of New England, 1982 (reprinted, 2008): p. 120. ISBN 978-1-58465-709-5〕 For a time, the family kept a summer house in Lenox, Massachusetts, where a young Emma Lazarus would sometimes join them with her family.〔Young, Bette Roth. ''Emma Lazarus in Her World: Life and Letters''. Jewish Publication Society, 1995: p. 170. ISBN 0-8276-0618-4〕 That home, built on land purchased in 1844, was named Oakwood and is an area now known as Shadow Brook Farm Historic District.〔Jackson, Richard S. and Cornelia Brooke Gilder. ''Houses of the Berkshires, 1870–1930''. Acanthus Press 2011: pp. 44–49. ISBN 0926494821〕 When Ellery Channing published his book of poems, Ward subsidized its printing.〔Smith, Harmon. ''My Friend, My Friend: The Story of Thoreau's Relationship with Emerson''. University of Massachusetts Press, 1999: p. 85. ISBN 1-55849-186-4.〕 Emerson edited the project but told Ward that Channing "goes to the very end of the poetic license, and defies a little too disdainfully his dictionary and logic".〔Richardson, Robert D. Jr. ''Emerson: The Mind on Fire''. Berkeley, California: University of California Press, 1995: p. 318. ISBN 0-520-08808-5.〕 Critic Edgar Allan Poe agreed and noted in his review of Channing's book that it was "full of all kinds of mistakes, of which the most important is that of their having been written at all".〔 After Margaret Fuller's death in 1850, Emerson attempted to persuade Ward into writing her biography, though he declined. "How can you describe a Force? How can you write the life of Margaret?" he asked.〔Von Mehren, Joan. ''Minerva and the Muse: A Life of Margaret Fuller''. Amherst: University of Massachusetts Press, 1994: p. 340. ISBN 1-55849-015-9〕 Thanks to an inheritance from his father as well as his own business dealings, Ward became the wealthiest person among the Transcendentalist circle, though he did not pursue literature for long. Though Emerson chose four of his poems for his 1874 compilation ''Parnassus'', Ward had stopped writing new poetry since his contributions to ''The Dial''.〔 Ward was a founder of the Metropolitan Museum of Art in 1869, sat on the Board of Trustees from 1870 to 1889, and served as treasurer for a time. The institution now owns a bas-relief of Ward by Augustus Saint-Gaudens,〔 who considered the work as one of his two best bas-reliefs.〔Dryfhout, John H. ''The Work of Augustus Saint-Gaudens''. Lebanon, NH: University Press of New England, 1982 (reprinted, 2008): p. 33. 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